May 19, 2018

Martha Graham Tells It Like It Is

There is no place for arrogance in the arts, but neither is there room for doubt or a perpetual need for affirmation. If you come to me with doubts about a particular move in a piece, or if you come to me and ask if what you've written has truth and power in it, these are doubts I can handle and respect. But if you come to me and moan about whether or not you really have a place in the dance or the theatre or film, I'll be the first one to pack your bags and walk you to the door. You are either admitting that you lack the talent and the will, or you are just looking for some easy attention. I don't have time for that. The world doesn't have time for that. Believe in your worth and work with a will so that others will see it. That's how it is done; that's how it was always done. —Martha Graham/Interview with James Grissom

May 5, 2018

García at the Palais Royal

Palais du Justice which adjoins the Palais Royal 

On a September day in 1854, I was strolling in the Palais Royal, preoccupied with the ever-recurring wish so often repressed as unrealizable, when suddenly I saw the two mirrors of the laryngoscope in the their respective positions as if actually present before my eyes. I went straight to Charrière, the surgical instrument maker, and, asking if he happened to possess a small mirror with a long handle, was informed that he had a little dentist's mirror which had been one of the failures of the London Exhibition of 1851. I bought it for 6 francs. Having obtained also a hand mirror I returned home at once, very impatient to begin my experiments. I placed against the uvula the little mirror (which I had heated in warm water and carefully dried); then flashing upon its surface with the hand mirror a ray of sunlight, I saw at once, to my great joy, the glottis wide open before me, and so fully exposed that I could perceive a portion of the trachea. When my excitement had somewhat subsided I began to examine what was passing before my eyes. The manner in which the glottis silently opened and shut, and moved in the act of phonation, filled me with wonder.

"The García Centenary," The British Musical Journal, March 25th, 1905: 683

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To walk where the great García walked—as I did in 2016—was nothing short of amazing even if part of the main complex no longer stood. García would have walked here and then gone to his studio/home which is only a few blocks away on the Rue Chabanais. 


Photo Credit: Daniel James Shigo 2016